Based on her next book Night of the Foal: The New Riders of the Purple Sage to be released in the summer of 2009, the writers and musicians have begun work on this brilliant pulp fiction entertainment creative property by Sage Sweetwater.
The storylines will be adapted from Sage Sweetwater's Authors Den poetry. Sage has a controversial dynamite box filled with poetry for enough explosive weekly episodes to run for about two years. Sage wants her audience to think a lesbian version of Deadwood, HBO. Paul Kraushaar of Para-Sight Records will be composing the Jett Durango theme song and all music for the television pilot of Jett Durango. Paul is currently writing the Jett Durango theme, a cross between old country and some racy surf rock meets Pulp Fiction! A band member plays some wicked high speed country guitar pickin' that Paul will be incorporating. High energy exciting!
Hollywood screenwriter and teleplay writer Tim Riley and Nashville recording artist Shay Dillon will be adapting and writing the episodes based on the erotic lesbian western poetry of Sage Sweetwater. Shay Dillon will also be singing the songs.
It is the Night of the Foal 2009. The New Riders of the Purple Sage glorify the frontier years of the American West—reminiscent of the years of the brothel—1800s—following collectively the years of Jett Durango and how she came to be—the creation of a lesbian dime store novelist.
Silver inlaid zodiac skirts on her stirrups poured fire to her desire. Jett Durango was saddled upon the wind, her firebrand breath slipped under another woman’s black cape. Passion branded the woman’s scalding hot flesh, the reins soaked in her hands. Jett Durango’s sledgehammer struck blows against the metal. With her spike bar, she pried out a rail from the track. She would stop the train to get the Colt Revolvers, the disguised preachers.
The preachers saw her moccasin eyelets from the train windows; branded Jett Durango as an outlaw of God. The train wheels locked. Grinding and squealing, the metal sparks exploded. They danced in the air like witch’s fireflies. Jett Durango was the creation of a dime novelist. The flames glowed from the firebox. Branding the land with the devil’s coals, Jett Durango saved the bibles. She pulled them out with a grappling hook that dallied from the rope on her saddle horn.
The collection plate money burned. The strong boxes melted. The preachers’ charred keys were at the end of the line. With the second-ago selective memory, like the train leaping from the track, Jett Durango leaped from her saddle, fucking the woman, slamming to earth, grinding deep trenches into the soil. It was screaming passion of one of the boldest ambushes of religious lies Jett Durango had been called upon to chronicle. There were no bodies. No twisted metal. No blood of Christ deceivers.
The telegraph repairman found only an empty whiskey bottle and Jett Durango’s woman’s black cape hanging from the telegraph cross. The newspaper reported it as the boldest lesbian tryst hot enough to stop a train.
The preachers’ last breaths were accompanied by the banshee; the charred black train, those in their invisible coffins, Jett Durango’s grimoire opened, her horse in saddle. She banished dirty money. She cleansed the trainwreck from the preachers’ bane white collars laundering deception and spreading brainwashing religious propaganda on the devil’s rail. She secured Bibliomancy.
* * * * * * * *
Jett Durango didn’t have a halo around her head formed by the canopy of a covered wagon. She was a woman’s woman who assumed an outlaw stance. She didn’t consent to any law she or her sex didn’t have a part in making. Women made a bed with her on thousands of acres that never had a plow on it. She could shoot the head off of a running quail. She traveled the trail singing The Ballad of Belle Starr. “Belle Starr, Belle Starr, With a bullet in your back, are you lyin’ there a-wishin’ that you’d never joined that pack?”
Jett Durango, who lived in the years of the 1800s is the fictional character thought up by Sage Sweetwater to assume Sweetwater’s historical alter ego, and deliver lesbian erotica western pulp fiction stories through poetry and prose for film and television screen adaptation. Jett Durango is the original collaborative writing byline of lesbian authors Blue Sleighty and Sage Sweetwater. Sweetwater’s poetry rides from the 1800s to the 1900s on through to the modern-day year of 2009 staying with the Old West themes.
Sage Sweetwater’s love for pulp fiction dime store novels has re-invented the way her audience thinks. Sage Sweetwater is a timeless pull of unfinished history anchored in the meaning of life and the symbols of immortality, visions of new roads—Sundance Women and gold creative properties...rebirth and maintenance of simplicity and assaying the wealth in new friendships of intelligent, creative women...
Copyright 2009 Ms. Sage Sweetwater, firebrand lesbian novelist
http://www.authorsden.com/sagesweetwater
Sage Sweetwater is professionally represented in Entertainment Law and Show Business
Andrew J. Contiguglia
Esquire, Entertainment Law
Andrew J. Contiguglia
44 Cook Street, Suite 100
Denver, Colorado 80206
Phone: 303-780-7333
Fax: 303-780-7337
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